Will modern art, as it enters a new century, usher in a new kind of aesthetic movement? In my own search, I have noticed that all over the world there are artists who seem to be influenced by comics, cartoons and animation and use the distorted figures as tools of their expression. Slowly these artists are forming a new art trend with these figurative languages. Animation and comics are two different words in English, but in contemporary Chinese, they are quite often used together. Hence, I have combined ¡§animation¡¨ and ¡§comics¡¨ to create ¡§Animamix¡¨ as the name for this new development in contemporary art. Whether animation or comics, the maturation of this concept and form all took place in the end of 20th century. The artist Yoshitaka Amano is one of the most important pioneers in this movement internationally.
Yoshitaka Amano was born in 1952 in Shizuoka City in Japan. He started his career as character designer in 1967 for popular animation films such as G-Force, The Adventure of Hutch, The Honey and The Time Bokan series. Later, he began his second career as an illustrator for magazines in the early 80¡¦s. The many films and books he participated in creating made him immensely popular in Japan, and the characters he created later brought him international recognition. His

   

ever changing role seemed to make him a prophet in the creative art world. Amano took a new position in creating visual concept designs for game software in 1987. His imaginations seemed limitless. Amano even expanded to designing stages and costumes, creating stained glass art works, and producing limited edition lithographic prints. The success of his lithograph exhibitions encouraged Amano to change directions to painting. All of his previous experiences with animation films, book illustrations and prints provided a rich background for Amano to delve into painting. In 1997, he established his own studio in New York, enabling him to continue his creative ventures in many different areas. On one hand, he is a fine artist who skillfully draws and creates unique piece of artwork. On the other hand, he is a creative director able to lead a production team of print and design projects.

One may find that the eccentric beauties or heroes in Amano¡¦s artworks are often cross-cultural. These strange, fantastical characters rouse a riotous intersection of reality and virtual reality. The caricatures in Amano¡¦s artworks, that look extraterrestrial or prehistoric, have encountered a new reality that exists within the imaginative world. He crosses time zones and borderlines into fictional spaces that result from his abundant science fiction illustrations. The eyes in Amano¡¦s paintings are often overly exaggerated as if they are looking at the viewers from another world. The emphasized quality of lines is significant for Amano¡¦s artworks because these are the traces of his hand; this is the evidence of his presence. Like many animators or comic artists, infusing artwork with personal narrations is an important aspect of the work. Amano is one of the very few Animamix artists who enjoys equal fame in the animation and fine art world. He is a leading creative power in the new trend of the 21st century, a trend that reaches beyond Japan, and he will easily become one of the most influential artists of our time.

Victoria Lu
Excepted from Victoria Lu's ¡uProphet of New Animamix Art - Yoshitaka Amano¡v

 
   
   
 
1952 Born in Shizuoko City, Japan.
   
Solo Exhibition -
2019 “Fantasy In Daylight”, Modern Art Museum Shanghai/ China.
 “Tales of Spring Dreams”, Mizuma Art Gallery/ Tokyo.
2018 “Interwoven Fantasy”, ZhuZhong Art Museum/ Beijing.
“Deva Loka”, Mizuma, Kips & Wada Art/ New York.
2016 “Amano Yoshitaka: Evolving Fantasy,” Grand Front Osaka/ Osaka, Japan.
“Amano Yoshitaka: Evolving Fantasy,” Yurakucho Mullion/ Tokyo.
2015 “Yoshitaka Amano: the world beyond your imagination,” Hyogo Prefectural Museum of Art/ Hyogo, Japan.
2013 “Mythopoeia,” Mizuma Gallery/ Singapore.
2011 “Yoshitaka Amano: FOR JAPAN,” SUPERFROG Gallery/ San Francisco, U.S.A.
2010

Deva Loka,” LeBasse Projects/ Los Angeles, U.S.A.

2009 Solo exhibition "Flying to Deva Loka" in Metaphysical Art Gallery, Taipei.
2008 Deva Loka. Rouge Bleu. Art Statements Gallery, Hong Kong.
Deva-loka. Galerie Michael Janssen, Berlin.
2007 Galerie Nosbaum & Reding Art Contemporain, Luxemburg.
2006 Eye on Amano, Festival Walk, Hong Kong Art Statement, Hong Kong.
2005 Galerie Nosbaum & Reding Art Contemporain, Luxemburg.
2004 Galerie Patrick De Brock, Knooke, Belgium.
M. Kunstverein Heilbronn, Heilbronn, Germany.
Galerie Michael Janssen, Cologne, Germany.
Galerie Edward Mitterand, Geneva, Switzerland.
2003 Galerie Michael Janssen, Cologne, Germany.
2002 Leo Koenig, Inc., New York, USA.
The Happy Lion, Los Angeles, USA.
1999 Hero. Angel Orensanz Foundation, New York, USA.
1998 Think Like Amano. Uenonomori Museum of Art, Tokyo, Japan.
Brussels International Fantastic Film Festival, Brussels, Belgium.
1997 Think like Amano. New York, USA.
1995 Orlean Art Museum, Orlean, France.
1989 Hiten. Yurakucho Mullion, Tokyo, Japan.
   
Group Exhibition -
2021 One Day In The Future…, Metaphysical Art Gallery, Taipei, Taiwan.
2020

Deconstruct the Past from the Future, Metaphysical Art Gallery, Taipei, Taiwan 2020  Face of the Spring, No. 20 , Metaphysical Art Gallery, Taipei, Taiwan.
Owing to My Paranoia, Metaphysical Art Gallery, Taipei, Taiwan.

2019 Salon of an Art Collector: 30 Years of Metaphysical Art Gallery, Metaphysical Art Gallery, Taipei, Taiwan.
2017

Youth Unlimited, Metaphysical Art Gallery, Taipei, Taiwan.
Nothing But Happy, Metaphysical Art Gallery, Taipei, Taiwan.

2016 Future In the Past, Metaphysical Art Gallery, Taipei, Taiwan.
2015 Post-objectivity, Metaphysical Art Gallery, Taipei, Taiwan.
Absolute Intuition, Metaphysical Art Gallery, Taipei, Taiwan.
2008

Manga! Image from Japan. Louisiana Museum for Moderne Kunst,Humlebak, Demark.
Anime! High Art-Pop culture. Deutsches Film Museum, Frankfurt, Germany.

2007

3L4D, Metaphysical Art Gallery, Taipei, Taiwan.
Anime! High Art-Pop culture. Deutsches Film Museum, Frankfurt, Germany.

2006 Fiction@Love. The Museum of Contemporary Art Shanghai, Shanghai, China.
2004

Rodolphe Janssen feat. Michael Janssen.
Galerie Rodolphe Janssen, Brussels, Belgium.
Dessins et des Autres. Galerie Anne de Villepoix, Paris, France.
Yoshitaka Amano ¡V Andre van de Wijdeven. Galerie Tanya Rumpff, Haarlem, The Netherlands.
Dessins et des Autres ¡V Part II. Galerie Catherine Bastide, Brussels, Belgium.
Funny Cuts. Cartoons und Comics in der Zeitgenossischen Kunst, Staatsgalerie Stuttgart, Germany.
10 Years!. Galerie Michael Janssen, Cologne, Germany.

2002 Barbican Galleries, Barbican Art Centre, London, UK.
   
Awards -  
1983 Won 14th annual Seiun Award in the category of "art" and continued to win for four consecutive years.
2000 Artist Guest of Honor at Dragon Con, received Dragon Con Award and Julie Award.
The Sandman: The Dream Hunters was nominated for Hugo Award and won Eisner Award.
 
   
   
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